The design takes inspiration from the often overlooked surface that formats our world: the screen.
The new title coincides with a reinvented visual identity, conceptualized by Bureau Borsche. This is the next step to securing public access to everything the foundation does, which goes beyond the scope of a private collection.” (Julia Stoschek) “From the very moment I started collecting time-based art over twenty years ago, I made a commitment to make it available for a wider public because I believe art must be accessible. The new title represents this development. In recent years, the work has become ever more comprehensive and dynamic in scope, especially regarding our public-facing program, institutional exchange, conservation, and scholarship of time-based art. Since the collection’s inception and opening in 2007, audience engagement and the advancement of time-based art have been a fundamental paradigm of what we do. It also manages the Julia Stoschek Collection, one of the world’s most comprehensive private collections of time-based art. Across two publicly accessible exhibition spaces in Berlin and Düsseldorf, the Julia Stoschek Foundation presents pioneering media and performance art in large-scale exhibitions and discursive events. The new name coincides with a new visual identity, conceptualized by Bureau Borsche.Įstablished in 2017, the Julia Stoschek Foundation is a non-profit arts and culture organization dedicated to the public presentation, advancement, conservation, and scholarship of time-based art.
It is our great pleasure to announce that from 2023 onward, we will officially be operating as the Julia Stoschek Foundation.
A comprehensive exhibition catalog will reflect on the research project and the phenomenon of gaming from several different perspectives. WORLDBUILDING will be further expanded with additional works in two stages in June and September 2023. Huyghe’s animated film, which can now be seen in the exhibition, is one “chapter” in the story that is taking shape. They named it AnnLee and, in collaboration with other artists, they intended to complete her blank “being” with stories and ideas in collaboration with other artists, lending the avatar an identity and a life of her own. In 1999 Huyghe and Philippe Parreno purchased the rights to a virtual avatar that was originally developed for computer games. The animated film Two Minutes Out Of Time (2000) by Pierre Huyghe is based on the multi-artist project No Ghost Just A Shell (1999–2002). In the video game almanac of girlswampwar territory (2018) by Porpentine Charity Heartscape, the artist attempts to recreate the feeling of video games from their early childhood by creating a girl who wanders through a blurry, pixelated dream world with child soldiers and edible ponies.
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The two-channel film installation Hiatus (1999/2015) by Ericka Beckman is an experimental narrative about Madi, a young woman who meets a series of game identities that trick and confuse her as she plays the interactive computer game Hiatus. Like many games themselves, the exhibition started as one version of itself, and through feedback, our research-which includes studio visits with artists on all continents-it grows and changes into an altered and expanded version.”įollowing Koo Jeong A’s CHAMNAWANA (2018), the first piece to be integrated into the exhibition, works by Ericka Beckman, Porpentine Charity Heartscape, and Pierre Huyghe will be added on 5 March 2023. In the words of curator Hans Ulrich Obrist, “WORLDBUILDING is an evolutive notion of what an exhibition can be. The focus of the ongoing investigation is the relationship between gaming and time-based media art. Central to the concept of the exhibition, which has been on view since June 2022, is to constantly augment it with new works. WORLDBUILDING is the first exhibition at the JULIA STOSCHEK FOUNDATION to last for eighteen months.
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